The Corner

Music

More on Sinéad O’Connor

Michael writes in the Corner about the tendency to simplify the legacy of the Irish singer Sinéad O’Connor, who died on Wednesday. As an illustration of that point, it’s worth revisiting her open letter to Miley Cyrus, written ten years ago after Cyrus, then aged 20, claimed O’Connor had been her inspiration for her controversial “Wrecking Ball” video.

It begins:

Dear Miley,

I wasn’t going to write this letter, but today i’ve been dodging phone calls from various newspapers who wished me to remark upon your having said in Rolling Stone your Wrecking Ball video was designed to be similar to the one for Nothing Compares … So this is what I need to say … And it is said in the spirit of motherliness and with love.

I am extremely concerned for you that those around you have led you to believe, or encouraged you in your own belief, that it is in any way ‘cool’ to be naked and licking sledgehammers in your videos. It is in fact the case that you will obscure your talent by allowing yourself to be pimped, whether its the music business or yourself doing the pimping.

Nothing but harm will come in the long run, from allowing yourself to be exploited, and it is absolutely NOT in ANY way an empowerment of yourself or any other young women, for you to send across the message that you are to be valued (even by you) more for your sexual appeal than your obvious talent.

I am happy to hear I am somewhat of a role model for you and I hope that because of that you will pay close attention to what I am telling you.

Madeleine Kearns is a former staff writer at National Review and a visiting fellow at the Independent Women’s Forum.
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