The Corner

Jonah’s Next Cover Story

“Dear Derb—Like most Coen Brothers movies, TBL is indeed a fine film and a

thoughtful one. Not a waste of time, but an inquiry into the nature and/or

possibility of heroism in our time. With a backdrop of middle-east tensions

(the first Bush’s battle with Saddam–”This will not stand” we hear several

times, both from Bush in the background and from the Dude), a major hangup

with Vietnam (Walter, who–like Kerry–sees Vietnam in every situation and

declares the VC ‘a worthy adversary’ not like ’some **** in Iraq trying to

find reverse in a Soviet tank’), and a concern for justice and property

rights (‘they peed on your **** rug, dude’ also the Carpet saga ‘as it was

not his to give…’

“This movie is onto something big about our time… I just don’t know what.

“I think the key is to watch Donnie. He says little, but his reactions are

often telling. For instance,watch him squirm away from Walter’s gun in the

Bowling alley. And listen intently to his questions, which while often off

the mark, are intended to guide are reflections on many scenes. (‘I am the

Walrus’ and ‘What’s wrong with Walter’ come to mind).

“That said, the above may hold less intellectual water than ID;

nevertheless, this is a fine film.”

[Derb here] I must say, it has occurred to me that the scene with Donnie’s

ashes might have been inspired by the similar one at the end of one of

Samuel Beckett’s novels (“Murphy,” I think), where the lead character’s

ashes get wrapped up in newspaper and taken away by a friend.. who stops in

a pub for a drink on the way home.. leaving the ashes-bundle on the floor by

his feet… where in the course of the evening it eventually gets kicked

away, broken open, & the ashes at last swept up with all the sawdust &

betting slips & cigarette ends…

Wait a minute, I’m getting sucked into this thing! No-o-o-o-…

John Derbyshire — Mr. Derbyshire is a former contributing editor of National Review.
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